The extensive list of latest and old movies of this illegal site enabled the users to watch and stream movies easily. It is highly ambitious with its optimism, but it also shows us how comforting it is to witness a person heal.TorMalayalam is a piracy website giving its audiences a huge collection of Malayalam movies online for free. With lovely little voice performances from some of our senior-most actors, Sunny is a character study that works even better as an ode to second chances. We get Sankar Sharma’s soothing songs (one that sounds a lot like AR Rahman’s ‘Theera Ulaa’) that further add to the feeling of clouds moving away and equally lovely touches from Jayasurya, the actor, who victoriously switches between broken, indifferent and even flirtatious within seconds. It’s these niggles that give us the feeling that we’re watching something pleasant, but also uneventful. And without faces or footage to take up deeper into these problems, it all depends on the power of dialogue for us to take it seriously or not. A major financial burden is lifted with incredible smoothness and an old creative flame is reignited just as easily. In a couple of cases, the resolutions happen so abruptly and so easily that you think it’s the writer wrapping up an issue before he runs out of time. But with others, we know too little about the issue and the people involved. The minimalist approach to access his past through phone calls does wonders with certain strands. And as Sunny begins to experience more clarity with each stage of grief, we get a film that gives us the feeling of watching clouds clearing up.īut this process of healing does appear a tad simplistic at times. What this strategy also helps with is to remove any fatigue we may have felt with a one-room, one-actor setting. So, when he saves his close ups and front angles for the film’s most dramatic sequences, we feel it in our skins.
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Although it is only one face we see, Madhu Neelakandan uses a series of mirror/glass shots, partial framing and disorienting angles to get us to see where Sunny’s at mentally. In another nice visual touch, we see Sunny’s fluctuating priorities as he fumbles through a list of contacts on his phone. More than see, we listen to a set of characters over the phone and it is this device that is used to reveal more about Sunny’s past.
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Sunny’s is the only full face we see through the film’s 90-minute runtime. This makes for a suffocating trip into his state of mind. In what’s been a life of rewind and fast forward, this is the first time he gets to hit the pause button. He must have never realised that his wife Nimmi isn’t the same naive girl he married or that he isn’t any good at business. Sunny must never have had the time, or taken the effort, to think about the death of his father. What this period also does is get Sunny to finally grieve. His counsellor describes the pain as withdrawal from the alcohol, but it’s also a withdrawal from the comfort of feeling sorry for oneself. This process can be really painful and you witness it through Sunny. But when he’s locked into a closed space, he’s also opening himself up to the remote corners of his mind. Even moving to Dubai years ago was him trying to escape his reality. His business is failing, he’s fighting a criminal case against his best friend and his marriage is on the rocks. And you get why he’s like this because he has several issues he wants to escape from. It’s just that he has “lost all will to live”. In Sunny’s words, he does not need “courage” to kill himself, although he tries many times. And because he doesn’t have the option to escape the four walls of this ‘paradise’ either, Sunny’s inner demons make a visit to keep him company. Without the luxury of being able to numb himself with alcohol, he has to open his eyes to his many truths and secrets. From the initial distance you keep from him, we learn more with each phone call and each passing day. Because we know so little about him, he first comes across as a privileged fool wallowing in self pity. The drowning continues and it’s not limited to the metaphorical kind either. He finishes two liquor bottles like there’s no tomorrow. This attitude spills over even in the way he starts drinking once he checks into his suite (‘the one AR Rahman once stayed in’).
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